Results

Aimee Rowling
Aimee has developed and was EP on CATCH ME A KILLER, a 10 x 60’ true crime thriller for Fired Up Films and the South African broadcaster M-Net. She is also a freelance development producer working with Fired Up Films and Atlantic Nomad, founded by Film Exec Jamie Carmichael and TV Showrunner Simo
Angus Jackson
Angus created Secret Cinema Presents Casino Royale in London and Shanghai for Secret Cinema in collaboration with EON Productions.

Lord Jeremy Hutchinson QC (Estate)
Jeremy Hutchinson was born in London in 1915. He read PPE at Magdalen College, Oxford, before studying law and going on to become the greatest criminal barrister of the 1960s, '70s and '80s.

Brian Catling
Brian Catling's international reputation had been firmly established as a visual and performance artist and poet. Then a great tide of narrative fiction overcame him.

Sound&Fury
Sound&Fury is a collaborative theatre company directed by Mark Espiner, Tom Espiner and Dan Jones.

Jane Housham is a writer, artist and publisher. She gave up her PhD on Dante’s philosophy of language and escaped to a lovely job at Virgin Books, a company whose name her father was too embarrassed to say out loud.

Ed Caruana
Ed writes fast-paced stories about funny, foolish characters who go on epic adventures.
Rupert Goold
Rupert Goold CBE is a multi-award-winning director, working primarily in theatre alongside hugely successful forays into film. He is the Artistic Director of the Almeida Theatre, prior to which he was Artistic Director of Headlong Theatre and Associate Director at the Royal Shakespeare Company.

Katherine Mendelsohn
Katherine is a translator of contemporary and classic plays originally written in French. Translations staged in the UK include work by writers from France, Québec and a variety of francophone African countries - contemporary plays by Togolese-French and Libyan-French writers, as well as contempo

Joe Parham
is a relentlessly hilarious show, craftsmanlike in concept, writing and delivery, and laying mercilessly into the notion of corporate improvement while also using that as an unlikely framework for all manner of off-the-beam inventiveness.