Louisa Young

Author

Add to shortlist
copyright Habie Schwarz

Books

Agent: Ariella Feiner
Assistant: Amber Garvey

Books

Louisa Young was born in London and read History at Trinity College, Cambridge. She lives in London with her daughter with whom she co-wrote the bestselling Lionboy trilogy, which is published in 36 languages. She is the author of twelve previous books including the bestselling novel My Dear I Wanted to Tell You, which was shortlisted for the Costa Novel Award and was a Richard and Judy Bookclub choice. 

 

TWELVE MONTHS AND A DAY (Borough Press)

Rasmus and Jay, Róisín and Nico – two beautiful, ordinary love stories, cut short by death. Jay and Nico don’t even believe in ghosts, yet they seem to be… still here. Still in love with Rasmus and Roísín. And maddeningly powerless.

Both are incapable of leaving the living alone: Jay plays matchmaker, convinced that Rasmus and Róisín can heal each other; Nico, plagued by jealousy, doesn’t agree.

Rasmus and Róisín are just trying to navigate their newly widowed lives.

But all four of them are thinking the same thing: what is love, after death? What is it for? And what are we to do with it?

Moving and thought-provoking, playful and bittersweet, this is a Truly, Madly, Deeply for our times, showcasing one of Britain’s finest contemporary writers at her very best.

 

Praise for TWELVE MONTHS AND A DAY 

‘A wonderful and inventive novel, sorrowful and hopeful in equal measure. It was a true pleasure to read.’ Miranda Cowley Heller

‘Louisa Young is the great chronicler of romantic love and the pain of its loss.’ Linda Grant

‘Hugely engaging and readable. A bitter-sweet pang in my heart as it ended.’ Monique Roffey

‘A beautiful book. Insanely romantic and utterly convincing.’ Julie Myerson

'What a writer. A raw and beautiful exposition on grief and loss but so beautifully earthed in the everyday. Terrific.' Elizabeth Buchan

'Twelve Months And A Day left me happily in bits. A skilfully calibrated love-after-death tale, it's a four course feast of hearts broken, hearts mended, of songs, laughter, old regrets & fresh desire.' Patrick Gale

‘A wonderful novel, charming and surprising, filled with loss and its triumphant opposites.’ Susie Boyt

'Heart-stoppingly romantic.' Express

'Young has a playfully light touch, delighting in the absurdity of the supernatural situation and the unusual romantic complications, even as she explores the heavy emotional burden that death brings. A lovely, moving, ultimately hopeful read.' Eithne Farry, Mirror

'A modern day TRULY MADLY DEEPLY... Rasmus and Roisin both lose their partners, but the ghosts of Nico and Jay stay, unable to leave their loved ones alone as the broken-hearted pair find comfort in each other. Beautifully written, this is a haunting love story - literally.' Best

'[A] tender exploration of finding your way through sadness and a heartfelt valentine to hope.' People, Book of the Week

'Thoughtful, philosophical and clever, it is also funny, and full of poetry, and powered by an unflagging and irresistible belief in the redemptive power of love.' Christobel Kent, Perspectives

'Not many people can pull off a story where two ghosts try to bring the partners they left behind together, but Louisa Young apparently can and did. More than a novel, this is a treatise on love, death and grief that utterly blew me away. One of the freshest love stories I've read in years.' Colleen Oakley, author of The Invisible Husband of Frick Island

'Equal parts tender, sparkling, and authentic, Louisa Young’s prose is like watching a flower open, each moment beautiful, mesmerizing, and better than the last. Twelve Months and a Day will have readers captivated from beginning to end.' Amy E. Reichert, author of Once Upon a December

'[A] bittersweet narrative of loss and love. . . In lyrical prose, Young crafts a deeply emotional depiction of two people trying to move on while wrestling with immense sorrow. Meanwhile, the ghostly duo adds levity as they try to make sense of their spectral existence. The result is an impressive and poignant romance.' Publishers Weekly

'[A] lovely, music filled meditation on grief, love, and living. Readers of this novel full of wisdom, joy, and sorrow should have their tissues  handy as they read. Recommend to those who enjoyed other books of young widows moving on, like The Two Lives of Lydia Bird, by Josie Silver [or] Grace After Henry, by Eithne Shortall.' Booklist, starred review

 

Praise for Louisa Young

‘A memorable and unusual novel which explores new ground in the literature of the Great War.’ Linda Grant

‘This novel is a triumph.’ Elizabeth Jane Howard

 ‘A masterly storyteller.’ Washington Post

‘Every once in a while comes a novel that generates its own success, simply by being loved. Louisa Young’s My Dear I Wanted to Tell You inspires the kind of devotion among its readers not seen since David Nicholls’ One Day.’ The Times

‘Birdsong for the new millennium.’ Tatler

‘Powerful, sometimes shocking, boldly conceived, it fixes on war’s lingering trauma to show how people adapt – or not – and is irradiated by anger and pity.’ The Sunday Times

‘[A] tender, elegiac novel. Others have been here before, of course, from Sebastian Faulks to Pat Barker, but Young belongs in their company.’ Mail on Sunday

‘Unmissable … in crisp poignant prose Young explores what war really means in terms of mental anguish, while cleverly commenting on class and sex.’ Marie Claire

‘This is the finest Great War novel since Susan Hill's ‘Strange Meeting’. Louisa Young weaves the experiences of her characters using an urgent, theatrical, staccato style that is probably best appreciated as an audio book, especially when read by the phenomenal Dan Stevens, who invests the characters with an immediately recognisable individuality whether they are thinking, writing, speaking – or, indeed, desperately trying to speak.’ Independent on Sunday

‘Weaving heartbreakingly painful irony, heroic sacrifice, human weakness, vanity, tragedy and the purest of loves, you’ll be left sobbing and grasping onto any hope that all is not lost amid the poppies, the guns and the hospital beds.’ Easy Living

 

Children's

Publication DetailsNotes
2004

Puffin

Charlie Ashanti, the hero of LIONBOY, speaks cat - the language of all cats wild and domestic alike. His unusual talent helps him on his quest to find his kidnapped parents who have discovered a cure for asthma. The local cats of his home town (a futuristic London) start him on his search to solve the mystery of his missing parents, which leads him across the channel on board a circus ship bound for Paris. It is on this wonderful vessel that Charlie establishes a close relationship with the homesick circus lions who become his accomplices. But Charlie is in danger, for close behind him on his trail, is a crony of the mysterious group who have kidnapped his parents. They want Charlie too.

Fiction

Publication DetailsNotes
2017

Borough Press

From the bestselling author of My Dear, I Wanted to Tell You and The Heroes’ Welcome, Louisa Young's Devotion is a novel of family, love, race and politics set during the electric change of the 1930s.

Tom loves Nenna. Nenna loves her father. Her father loves Mussolini.

Ideals and convictions are not always so clear in the murky years between the end of the First World War and the beginning of the Second. For Tom and Kitty Locke, children of the damaged WW1 generation, visiting their cousin Nenna in Rome is a pure joy. For their adoptive parents Nadine and Riley, though, the ground is still shifting underfoot.

Nobody knew in 1919 that the children they were bearing would be just ripe for the next war in 1939; nobody knew, in 1935, the implications of an Italian Jewish family supporting Mussolini.

Meanwhile Peter Locke and Mabel Zachary have found each other again together in London, itself a city reborn but riddled with its own intolerances. As the heat rises across Europe, voices grow louder and everyone must brace once more to decide what should bring them together, and what must drive them apart.

2014

Borough Press

The Heroes’ Welcome is the incandescent sequel to the bestselling R&J pick My Dear, I Wanted to Tell You. Its evocation of a time deeply wounded by the pain of WW1 will capture and beguile readers fresh to Louisa Young’s wonderful writing, and those previously enthralled by the stories of Nadine and Riley, Rose, Peter and Julia.

LONDON, 1919

Two couples, both in love, both in tatters, come home to a changed world.

When childhood sweethearts Riley and Nadine marry, it is a blessing on the peace that now reigns. But the newlyweds and their old friends Peter and Julia Locke wear the ravages of the Great War in very different ways. Where Nadine and Riley do their best to forge ahead and muster hope, Peter retreats into drink and nightmares, unable to bear the domestic life for which Julia pines.

2012

Borough Press

A letter, two lovers, a terrible lie. In war, truth is only the first casualty. ‘Inspires the kind of devotion among its readers not seen since David Nicholls’ One Day’ The Times

While Riley Purefoy and Peter Locke fight for their country, their survival and their sanity in the trenches of Flanders, Nadine Waveney, Julia Locke and Rose Locke do what they can at home. Beautiful, obsessive Julia and gentle, eccentric Peter are married: each day Julia goes through rituals to prepare for her beloved husband’s return. Nadine and Riley, only eighteen when the war starts, and with problems of their own already, want above all to make promises - but how can they when the future is not in their hands? And Rose? Well, what did happen to the traditionally brought-up women who lost all hope of marriage, because all the young men were dead?

Moving between Ypres, London and Paris, My Dear I Wanted to Tell You is a deeply affecting, moving and brilliant novel of love and war, and how they affect those left behind as well as those who fight.

2001

Borough Press

Scintillating comic-romantic thriller, a finale to Louisa’s fab Egyptian trilogy: what life will Angeline choose?

The final volume in the Angeline Gower trilogy, following ‘Baby Love’ and ‘Desiring Cairo’.

Our angel is back. Angeline Gower is back home in Britain, back safe, back in her own bath. And, right on cue, that’s when trouble arrives, back for another bout with her. But this time she’s going to see it off for good….

There’s trouble in the form of her nemesis, her Russian roulette – wiseguy wideboy Eddie: he’s on the loose again, and who would the police send out to Egypt to trace him if not Evangeline? Then there’s trouble of another more painful, more joyful sort altogether: the trouble she has choosing between safe, solid, sensitive Harry, and hot, haughty, harmonious Sa’id. So, out among the sensuous wonders of Luxor, on the mobile and on the hoof, our angel shimmies and swerves with all her ex-belly dancer’s supple style through a series of emotional chicanes. Now and again, in a particularly tight corner, she spins off, but she always regains control and surges forward to seize the life and future she deserves for those she loves and, triumphantly, for herself.

1999

Borough Press

The sparky, funny sequel to Louisa Young’s acclaimed first novel of belly-dancing, motorbikes and single-parenthood.

Angeline Gower, ex-bellydancer, ex-biker, single mother of a little girl who is not actually her child, is mired in problems again in this wonderful sequel.

Her relationship with Harry, the lover turned cop, remains fraught, the lure of the glamorous but no good Eddie hasn’t gone away. And there is yet another element complicating things know – the seductive and mysterious Sa’id. With Angeline older and a little wiser, Louisa Young weaves a tale that is richer, sexier and more moving than ‘Baby Love’, while remaining just as exciting. Shifting between Shepherd’s Bush and Cairo, full of the contrasts between the West and the Middle East, ‘Desiring Cairo’ thrills and enthralls while at the same time making us think and feel deeply about the love between mother and child, man and woman, friend and friend.

Louisa Young has skilfully written this so that it is equally enjoyable read on its own, or as part of the trilogy that starts with ‘Baby Love’ and ends with ‘Tree of Pearls’.

1997

Borough Press

A fast-paced literary thriller in which ex-belly dancer Evangeline’s fight to protect three-year-old Lily draws her into the seedy underworld of her past – the first book in Louisa Young’s celebrated Anglo-Egyptian trilogy of Evangeline Gower novels.

Evangeline is a single parent whose child is the daughter of her sister, who was killed in a motorbike accident. Evangeline, who was driving the bike, sustained injuries which put an end to her belly dancing career. She now leads an exemplary life, writing and looking after Lily. But when she gets into trouble with the police, she is drawn into the shadowy world of drug dealers, pornographers and bent coppers that seems to have bizarre connections with her sister’s past.

With a plot that makes you rush to the end, this is a thriller without violence, a romance without sentiment and a brilliantly exciting novel.

Non-Fiction

Publication DetailsNotes
2018

Borough Press

This brutal, beautiful memoir from award-winning novelist Louisa Young is a heartbreaking portrayal of love, grief and the merciless grip of addiction.

Louisa first met Robert Lockhart when they were both 17. Their stop-start romance lasted decades, in which time he became a celebrated composer and she, an acclaimed novelist. Always snapping at their heels was Robert’s alcoholism, a helpless, ferocious dependency that affected his personality before crippling and finally, despite five years of hard-won sobriety, killing him.

There are a million love stories, and a million stories of addiction. This one is truly transcendent. It is at once a compelling portrait of a unique and charismatic man; a bittersweet reflection on an all-consuming love affair; and a completely honest and incredibly affecting guide to how the partner of an alcoholic can possibly survive when the disease rips both their lives apart.

This is a hugely important book – raw and unflinching but also uplifting and elegiac, it should be essential reading for anybody who’s ever lost someone they loved.