Jude Christian
Director & Writer
Film, TV & Theatre
Theatre
| Production | Company | Notes |
|---|---|---|
THE SNOW QUEEN 2023 | Polka Theatre | As Writer |
TITUS ANDRONICUS 2023 | Shakespeare's Globe (Sam Wanamaker Playhouse) | As Director |
JACK AND THE BEANSTALK 2022 | Lyric Hammersmith | As Co-Writer with Sonia Jalaly |
KAN YAMA KAN 2022 | 59 Productions | As Writer |
AS YOU WRITE IT 2022 | Shakespeare North Playhouse | As Director |
VIOLET 2022 | Music Theatre Wales | As Director |
NANJING 2021 | Theatertreffen | As Writer and Performer |
HOMEMAKERS 2020 | HOME | As dramaturg |
DICK WHITTINGTON 2020 | National Theatre | As co-writer with Cariad Lloyd |
LIVING NEWSPAPER 2020 | Royal Court | As Director |
CINDERELLA 2019 | Lyric Hammersmith | As Writer |
PETER PAN 2019 | Brageteatret, Norway | As Adapter & Director |
2018 - 2019 | Shakespeare's Globe (Sam Wanamaker Playhouse) | As Dramaturg |
2018 - 2019 | Shakespeare's Globe (Sam Wanamaker Playhouse) | As Director |
2018 - 2019 | Lyric Hammersmith | Co-writer with Cariad Lloyd and as Director |
2018 | Lyric Hammersmith | As director |
2018 | Shakespeare's Globe | As writer and performer. Part of Refugee Week |
THREE SISTERS 2018 | Rash Dash / Royal Exchange Studio, Manchester | As Dramaturg |
TRUST 2018 | Gate Theatre, London | Directed & Performed by Jude Christian |
MY MUM'S A TWAT 2018 | Royal Court | By Anoushka Warden |
JACK AND THE BEANSTALK 2017 | Lyric Hammersmith | As Co-Director |
THE SEAGULL 2017 | Lyric Hammersmith | As Associate |
PARLIAMENT SQUARE 2017 | Royal Exchange / Bush | By James Fritz |
BODIES 2017 | Royal Court | By Vivienne Franzmann |
THE PATH 2016 | HighTide Festival | Various writers |
SPLIT/MIXED 2016 | Summerhall | By Ery Nzaramba |
BLUE 2016 | RWCMD / Gate Theatre | By Joe Ward Munrow |
LELA & CO. 2015 | Royal Court | By Cordelia Lynn |
I'D RATHER GOYA ROBBED ME OF MY SLEEP THAN SOME OTHER S.O.B. 2015 | Boom Arts, Portland) | By Rodrigo García |
HOW DO YOU EAT AN ELEPHANT? BWYTA ELIFFANT, SUT MAE GWNEUD HYNNY DWEDWCH? 2014 | National Youth Theatre of Wales: Aberystwyth Arts Centre & Tour | Devised |
HAPPY 2014 | Pentabus | By Cara Squires |
THE MUSHROOM 2014 | Pentabus | By Jade Edwards |
PUNK ROCK 2014 | RADA | By Simon Stephens |
I'D RATHER GOYA ROBBED ME OF MY SLEEP THAN SOME OTHER ARSEHOLE 2014 | Gate Theatre | By Rodrigo García |
BALANSERA 2013 | Remix Gold (Poole Lighthouse) | Circus play devised with integrated youth theatre |
SONATA MOVEMENTS 2012 | Concert Theatre (Blue Elephant) | |
MY ROMANTIC HISTORY 2011 | English Theatre Berlin | By DC Jackson |
LAST EASTER 2010 | RADA | By Bryony Lavery |
ASSOCIATE DIRECTING | ||
THE DARKEST CORNERS 2017 | Rashdash / Transform Festival | |
ALADDIN 2016 | Lyric Hammersmith | Dir. Ellen McDougall |
SHOPPING AND FUCKING 2016 | Lyric Hammersmith | Dir. Sean Holmes |
CARMEN DISRUPTION 2015 | Almeida | Dir. Michael Longhurst |
Opera
| Production | Company | Notes |
|---|---|---|
THE LOST THING 2019 | Candoco; Royal Opera House | By by Shaun Tan |
HIDDEN IN PLAIN SIGHT 2015 | Académie du Festival d’Aix-en-Provence, in association with Opera Lab Berlin | |
©alculated to Death 2014 | Tête à Tête opera festival, White Lab, Central St Martins | By Sebastian Laskowski |
Assisting Credits
| Production | Company | Notes |
|---|---|---|
Assistant Director 2012 - 2013 | Royal Opera House Youth Opera Company | Dir. Karen Gillingham |