Agent
Assistant
Biography
George studied at Manchester University. He received an Olivier Award nomination for Best Sound Design in 2016 for The Homecoming and, with Ben and Max Ringham, won the 2018 Off-West End Award for Best Sound Design for Killer.
Soon into the trial, Connie reports an increased level of hearing, a feeling George Dennis’s sound design and Michael Asante’s composition accentuate; the audio feels closer, almost tangible.
The Guardian on The Effect (National Theatre)
George Dennis’s sound design is perfect
Time Out on The Effect
The exemplary sound design is by George Dennis
New York Times on The Southbury Child (Bridge Theatre)
George Dennis’ superb soundscape – screeching ’70s guitars and the echo of landed blows
What’s On Stage on Frost/Nixon (Sheffield Crucible)
Credits
In Development
| Production | Company | Notes |
|---|---|---|
|
CLEANSED 2026 |
Almeida Theatre |
Sound Design |
|
JUMPERS 2026 |
Hampstead Theatre |
Sound Design |
Theatre
| Production | Company | Notes |
|---|---|---|
|
THE ARCHITECT 2026 |
Internationaal Theater Amsterdam |
Sound Design |
|
THE BOY WHO HARNESSED THE WIND 2026 |
@sohoplace |
West End transfer |
|
THE BOY WHO HARNESSED THE WIND 2026 |
Royal Shakespeare Company (Swan Theatre) |
Sound Design |
|
TWELFTH NIGHT 2025 |
Barbican Theatre/Royal Shakespeare Theatre |
Sound Design |
|
TREASURE ISLAND 2025 |
Bristol Old Vic |
Sound Design |
|
CLARKSTON 2025 |
Trafalgar Theatre |
Sound Design |
|
BORN WITH TEETH 2025 |
Wyndham's Theatre |
Sound Design |
|
INTIMATE APPAREL 2025 |
Donmar Warehouse |
Sound Design |
|
POOR CLARE 2025 |
Orange Tree Theatre |
Sound Design |
|
KELI 2025 |
National Theatre of Scotland |
Sound Design |
|
ALTERATIONS 2025 |
National Theatre (Lyttelton) |
Sound Design |
|
TWELFTH NIGHT 2024 |
Royal Shakespeare Company (Royal Shakespeare Theatre) |
Sound Design |
|
ROOTS 2024 |
Almeida Theatre |
Sound Design |
|
THE CABINET MINISTER 2024 |
Menier Chocolate Factory |
Sound Design |
|
ENGLISH 2024 |
Royal Shakespeare Company (The Other Place)/Kiln Theatre |
Sound Design |
|
LOVE'S LABOUR'S LOST 2024 |
Royal Shakespeare Company (Royal Shakespeare Theatre) |
Sound Design |
|
A TASTE OF HONEY 2024 |
Royal Exchange Theatre |
Sound Design |
|
THE EFFECT 2024 |
The Shed, New York |
Sound Design |
|
JULIE 2024 |
Internationaal Theater Amsterdam |
Sound Design |
|
THE HOMECOMING 2023 |
Young Vic |
Sound Design |
|
CLYDE'S 2023 |
Donmar Warehouse |
Sound Design |
|
THAT FACE 2023 |
Orange Tree Theatre |
Sound Design |
|
THE EFFECT 2023 |
National Theatre (Lyttelton) |
Sound Design |
|
MOM, HOW DID YOU MEET THE BEATLES? 2023 |
Chichester Festival Theatre (Minerva) |
Sound Design |
|
FURTHER THAN THE FURTHEST THING 2023 |
Young Vic |
Sound Design |
|
LEMONS, LEMONS, LEMONS, LEMONS, LEMONS 2023 |
Harold Pinter Theatre/Wessex Grove |
Sound Design |
|
A CHRISTMAS CAROL 2022 |
Rose Theatre Kingston |
Sound Design |
|
STRAIGHT LINE CRAZY 2022 |
The Shed |
Sound Design |
|
BLUES FOR AN ALABAMA SKY 2022 |
National Theatre (Lyttelton) |
Sound Design |
|
SING YER HEART OUT FOR THE LADS 2022 |
Chichester Festival Theatre (Minerva) |
Sound Design |
|
THE SEAGULL 2022 |
Harold Pinter Theatre/ATG |
Sound Design |
|
THE SOUTHBURY CHILD 2022 |
Chichester Festival Theatre/Bridge Theatre |
Sound Design |
|
MARY STUART 2022 |
Schauspiel Stuttgart |
Sound Design |
|
STRAIGHT LINE CRAZY 2022 |
Bridge Theatre |
Sound Design |
|
AN UNFINISHED MAN 2022 |
Yard Theatre |
Sound Design |
|
BEAUTY AND THE BEAST 2021 |
Rose Theatre Kingston |
Sound Design |
|
THE MOUNTAINTOP 2021 |
Royal Exchange Theatre |
Sound Design |
|
GLEE AND ME 2021 |
Royal Exchange Theatre |
Sound Design |
|
THE WINDSORS: ENDGAME 2021 |
Prince of Wales Theatre |
Sound Design |
|
TALENT 2021 |
Sheffield Crucible |
Sound Design |
|
THE BEACON 2021 |
Schauspiel Stuttgart |
Sound Design |
|
FACES IN THE CROWD 2020 |
Gate Theatre |
Sound Design |
|
THE DUCHESS OF MALFI 2019 |
Almeida Theatre |
Sound Design |
|
SING YER HEART OUT FOR THE LADS 2019 |
Chichester Festival Theatre (The Spiegeltent) |
Sound Design |
|
TWO LADIES 2019 |
Bridge Theatre |
Sound Design |
|
HEDDA TESMAN 2019 |
Headlong |
Sound Design |
|
THE DEEP BLUE SEA 2019 |
Chichester Festival Theatre (Minerva) |
Sound Design |
|
SWEAT 2019 |
Donmar Warehouse/Gielgud Theatre |
Composition and Sound Design |
|
VENICE PRESERVED 2019 |
Royal Shakespeare Company (Swan Theatre) |
Sound Design |
|
THREE SISTERS 2019 |
Almeida Theatre |
Sound Design |
|
RICHARD III 2019 |
Headlong |
Sound Design and Composition |
|
A SLIGHT ACHE/THE DUMB WAITER 2019 |
Harold Pinter Theatre/ATG |
Sound Design |
|
NINE NIGHT 2018 |
Trafalgar Studios/National Theatre (Dorfman) |
Sound Design |
|
A VERY VERY VERY DARK MATTER 2018 |
Bridge Theatre |
Sound Design |
|
THE LOVER/THE COLLECTION 2018 |
Harold Pinter Theatre/ATG |
Sound Design |
|
THE MOUNTAINTOP 2018 |
Young Vic/UK Tour |
Sound Design |
|
ONE FOR THE ROAD/A NEW WORLD ORDER/MOUNTAIN LANGUAGE/ASHES TO ASHES 2018 |
Harold Pinter Theatre/ATG |
Sound Design |
|
THE IMPORTANCE OF BEING EARNEST 2018 |
Vaudeville Theatre/Classic Spring |
Sound Design |
|
AN OCTOROON 2018 |
National Theatre (Dorfman)/Orange Tree Theatre |
Sound Design |
|
FROST/NIXON 2017 |
Sheffield Crucible |
Composition and Sound Design |
|
YOUS TWO 2018 |
Hampstead Theatre Downstairs |
Sound Design |
|
BASKERVILLE: A SHERLOCK HOLMES MYSTERY 2017 |
Liverpool Playhouse |
Sound Design |
|
THE SECRET GARDEN 2017 |
Theatre By The Lake |
Sound Design |
|
POISON 2017 |
Orange Tree Theatre |
Sound Design |
|
THE NORMAN CONQUESTS 2017 |
Chichester Festival Theatre |
Sound Design |
|
MUCH ADO ABOUT NOTHING 2017 |
Shakespeare's Globe |
Sound Design |
|
TRIBES 2017 |
Sheffield Crucible Studio |
Composition and Sound Design |
|
GUARDS AT THE TAJ 2017 |
Bush Theatre |
Composition and Sound Design |
|
KILLER 2017 |
Shoreditch Town Hall |
Co-Sound Design with Ben and Max Ringham |
|
THE PITCHFORK DISNEY 2017 |
Shoreditch Town Hall |
Co-Sound Design with Ben and Max Ringham |
|
THE CONVERT 2017 |
Gate Theatre |
Sound Design |
|
BABE, THE SHEEP-PIG 2016 – 2017 |
Polka Theatre/UK Tour |
Sound Design |
|
HARROGATE 2016 |
Royal Court/UK Tour |
Sound Design |
|
IMOGEN 2016 |
Shakespeare's Globe |
Sound Design |
|
IN FIDELITY 2016 |
Traverse Theatre/HighTide Festival |
Sound Design |
|
PRIMETIME 2016 |
Royal Court Upstairs/Tour |
Sound Design |
|
THE TAMING OF THE SHREW 2016 |
Shakespeare's Globe |
Sound Design |
|
NOISES OFF 2016 |
Nottingham Playhouse/Live Theatre/Nuffield Southampton |
Sound Design |
|
GERMAN SKERRIES 2016 |
Orange Tree Theatre/Up In Arms |
Sound Design |
|
IN THE NIGHT TIME (BEFORE THE SUN RISES) 2016 |
Gate Theatre |
Sound Design |
|
FORGET ME NOT 2015 |
Bush Theatre |
Sound Design |
|
THE HOMECOMING 2015 |
The Jamie Lloyd Company/Trafalgar Studios 1 |
Sound Design |
|
EVENTIDE 2015 |
Arcola Theatre/Up In Arms |
Sound Design |
|
HARROGATE 2015 |
HighTide Festival |
Sound Design |
|
BRAVE NEW WORLD 2015 |
Royal and Derngate/Touring Consortium |
Sound Design |
|
CHICKEN 2015 |
Eastern Angles |
Sound Design |
|
PRIMETIME 2015 |
Royal Court Upstairs/Tour |
Sound Design |
|
IMAGE OF AN UNKNOWN YOUNG WOMAN 2015 |
Gate Theatre |
Sound Design |
|
BEAUTIFUL THING 2015 |
UK Tour (Revival) |
Sound Design |
|
ECLIPSED 2015 |
Gate Theatre |
Sound Design |
|
A BREAKFAST OF EELS 2015 |
Print Room |
Sound Design |
|
PEDDLING 2015 |
Arcola Theatre/HighTide Festival/59E59, New York |
Sound Design |
|
FIREWORKS 2015 |
Royal Court Upstairs |
Sound Design |
|
LIBERIAN GIRL 2015 |
Royal Court Upstairs |
Sound Design |
|
VISITORS 2014 |
Bush Theatre |
Sound Design |
|
STORY LAB 2014 |
Tricycle Theatre |
Sound Design |
|
THE EDGE OF OUR BODIES 2014 |
Gate Theatre |
Sound Design |
|
REGENERATION 2014 |
Royal and Derngate/Touring Consortium |
Sound Design |
|
MAMETZ 2014 |
National Theatre of Wales |
Sound Design |
|
MINOTAUR 2014 |
Polka Theatre/Clwyd Theatr Cymru |
Sound Design |
|
SPRING AWAKENING 2014 |
Headlong Theatre/UK Tour |
Sound Design |
|
THE ISLAND 2013 |
Young Vic |
Sound Design |
|
LOVE YOUR SOLDIERS 2013 |
Sheffield Crucible Studio |
Composition and Sound Design |
|
THE LOVE GIRL & THE INNOCENT 2013 |
Southwark Playhouse |
Sound Design |
|
THE LAST YANKEE 2013 |
Print Room |
Sound Design |
|
THARK 2013 |
Park Theatre |
Composition and Sound Design |
|
DANCES OF DEATH 2013 |
Gate Theatre |
Sound Design |
|
MOTH 2013 |
HighTide Festival/Bush Theatre |
Sound Design |
|
BEAUTIFUL THING 2013 |
Arts Theatre/UK Tour |
Sound Design |
|
THE LIVING ROOM 2013 |
Jermyn Street Theatre |
Sound Design |
|
HELLO/GOODBYE 2013 |
Hampstead Theatre Downstairs |
Composition and Sound Design |
|
LIAR LIAR 2013 |
Unicorn Theatre |
Composition and Sound Design |
|
THE SEAGULL 2012 |
Southwark Playhouse |
Sound Design |
|
A LIFE 2012 |
Finborough Theatre |
Composition and Sound Design |
|
GOOD GRIEF 2012 |
Theatre Royal Bath/UK Tour |
Sound Design |
|
THE ONLY TRUE HISTORY OF LIZZIE FINN 2012 |
Southwark Playhouse |
Composition and Sound Design |
|
THE DRAWER BOY 2012 |
Finborough Theatre |
Composition and Sound Design |
|
SOMEONE WHO'LL WATCH OVER ME 2012 |
Southwark Playhouse |
Composition and Sound Design |
|
THE SEVEN YEAR ITCH 2012 |
Salisbury Playhouse |
Sound Design |
|
FOXFINDER 2011 |
Finborough Theatre |
Composition and Sound Design |
|
WHEN DID YOU LAST SEE MY MOTHER? 2011 |
Trafalgar Studios 2 |
Sound Design |
|
ANTIGONE 2011 |
Southwark Playhouse |
Sound Design |