Chris Lee

Plays include: Hummingbird (Old Red Lion, London) 1996, The Optimist’s Daughters (Finborough, London) 1997, Sneer (Finborough, London) 1998, Eat the Enemy (Old Red Lion, London and TheaterLab, Houston) 1999, The Electrocution of Children (Peacock, Dublin) 1998, The Map Maker’s Sorrow (Peacock, Dublin) 1999 (Eklektisk, Copenhagen) 2009 (Theater Row, New York) 2005 (Lavoir Parisien and Theatre du Chaudron, Paris) 2006, On line and Paranoid in the Sentimental City (Finborough, London) 2000, Vermilion Dream (Salisbury Playhouse) 2004, The Ash Boy (Theatre 503, London) 2006, The Water Harvest (Theatre 503, London) 2007 (South London Theatre) 2021, Regolith (Finborough, London) 2010, The Foundation of Trust (Rondo Theatre, Bath) 2011, Zozo (Stendhal University, Grenoble) 2011, Shallow Slumber (Soho Theatre, London and National Institute for Dramatic Arts, Sydney) 2012, Dream on Hilda (Municipal Theatre, Stockholm) 2014, A Small House at the Edge of the World (Tabard, London) 2019 (Museum of Comedy, London) 2019.

Radio plays include: The Parallax of Jan Van Eyck (RTE, 1998), Holborn (Urban Scrawl) 2009.

Awards include: The Stewart Parker Award, 1999, for The Electrocution of Children, Anglo Irish Bank Writer in Association with The Abbey Theatre, 1999/2000, Pearson Television Playwrights Bursary, 2000, for Online and Paranoid, Rondo New Play Competition winner 2011, for The Foundation of Trust.

Podcast ongoing: https://podcasts.apple.com/gb/podcast/soft-tales-for-the-hard-apocalypse/id1549460057