Photograph: Claire Spottiswoode
Tim Dee was born in Liverpool in 1961. He has worked as a BBC radio producer for twenty years and divides his life between Bristol and Cambridge. He is the author of THE RUNNING SKY (2009) and FOUR FIELDS (2013).
LANDFILL, Tim's monograph on gulls and landfill sites, will be published by Little Toller Books in early 2018. He is also the editor of GROUND WORK, an anthology of nature writing, which will be published by Jonathan Cape in March 2018.
Praise for FOUR FIELDS:
'[Dee] is incapable of writing a dull sentence…very good indeed' Independent
'[Dee's] descriptions are constantly inventive; wry and fearless. A project as expansive, and as mesmerizing, as a fenland sky' Scotsman
'[A] mesmerising book... Written in the same lyrical prose as The Running Sky... Four Fields is about far more than pieces of earth; it is a summary of humanity's aspirations. Tantalinsing and eloquent' Economist
'An enthralling and unexpected book – or four short books – about what we have made of the natural world. The language itself is rich and loamy. There is evidence of much thought here, as well as a naturalist's profound observation. It is proof that really, there is no such thing as "nature writing" – Dee gives us the wide world and everything in it, including ourselves and all our works' Guardian
Praise for THE RUNNING SKY:
'Thrillingly original... Dee's extraordinary, beautifully written account of a life spent watching birds is a fine addition to the flourishing genre of British nature writing' Lynn Barber, Sunday Times
'The Running Sky has the makings of a classic... beautifully written, extraordinarily vigilant, and very moving... we learn a lot about ourselves as well as the fellow creatures flying through, over and around our own lives' Andrew Motion
'Serious and playful... creates a powerful and intensely poetic paean to what others have called the wonder of birds' Guardian
'A little masterpiece, like an intricate skein of all the avian life he has seen, a gorgeously overpopulated love letter to birds' Independent
'[Dee] has a forensic eye for detail and a gift for poetry... He is in the front rank of contributors to the literature of natural history' Daily Telegraph
'As unexpected as it is brilliant... A moving, powerful meditation on the natural world that envelops us' Helen Dunmore
'A most extraordinary, mind-changing odyssey, a 2001 bird obelisk into our muddled perceptions... hugely original and confident and brave' Richard Mabey
'A beautifully haunting and involving memoir. The writer's passion for birds becomes his whole way of expressing his relationship to landscape and history and family: unsentimental and urgently contemporary' Tessa Hadley
'What makes [Dee's] book wonderful is his passion... He captures the thrill and puzzlement of watching birds as I have never previously seen it captured' Sunday Herald
'To write a book about a year's birdwatching as keenly observed as this, you have to be dedicated to the point of obsession; to write one as transcendent, you must be a poet' The Times
'Lyrical... a touchingly human document' Daily Express
'[Dee has] created a marvel. A new species of nature writing and autobiography. He makes you see how populated the sky is, and how busy the air. And his prose flies - soars' Susannah Clapp
A timely collection of the best British nature writing newly commissioned by one of the great authorities on the subject.
We are living in the anthropocene – an epoch where everything is being determined by the activities of just one soft-skinned, warm-blooded, short-lived, pedestrian species. How best to live in the ruins that we have made?
This anthology of commissioned work tries to answer this as it explores new and enduring cultural landscapes, in a celebration of local distinctiveness that includes new work from some of our finest writers. We have memories of childhood homes from Adam Thorpe, Marina Warner and Sean O’Brien; we journey with John Burnside to the Arizona desert with Tim Ingold to the Canadian Arctic; going from Tessa Hadley’s hymn to her London garden to caving in the Mendips with Sean Borodale to shell-collecting on a Suffolk beach with Julia Blackburn.
Helen Macdonald, in her remarkable piece on growing up in a 50-acre walled estate, reflects on our failed stewardship of the planet: ‘I take stock.’ she says, ‘During this sixth extinction, we who may not have time to do anything else must write now what we can, to take stock.’ This is an important, necessary book.
In his first book since the acclaimed The Running Sky, Tim Dee tells the story of four green fields. Four fields spread around the world: their grasses, their hedges, their birds, their skies, and their natural and human histories. Four real fields - walkable, mappable, man-made, mowable and knowable, but also secretive, mysterious, wild, contested and changing. Four fields - the oldest and simplest and truest measure of what a man needs in life - looked at, thought about, worked in, lived with, written.
Dee's four fields, which he has known for more than twenty years, are the fen field at the bottom of his Cambridgeshire garden, a field in southern Zambia, a prairie field in Little Bighorn, Montana, USA, and a grass meadow in the exclusion zone at Chernobyl, Ukraine. Meditating on these four fields, Dee makes us look anew at where we live and how. He argues that we must attend to what we have made of the wild, to look at and think about the way we have messed things up but also to notice how we have kept going alongside nature, to listen to the conversation we have had with grass and fields.
Four Fields is a profound, lyrical book by one of Britain's very best writers about nature.
The Running Sky records a lifetime of looking at birds. Beginning in summer with clouds of breeding seabirds in Shetland and ending with crepuscular nightjars like giant moths in the heart of England, Tim Dee maps his own observations and encounters over four decades of tracking birds across the globe. He tells of near-global birds like sparrows, starlings and ravens, and exotic species, like electrically coloured hummingbirds in California and bee-eaters and broadbills in Africa. In doing so he brilliantly restores us to the primacy of looking, the thrill of watching, and takes us outside, again and again, to stand - with or without binoculars - under the storm of life over our heads, and to marvel once more at what is flying about us.