Richard Francis

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Photograph: Jack Gillespie

Books

Agent: Caroline Dawnay
Associate : Sophie Scard

Books

Richard Francis writes both fiction and non-fiction. He taught American literature at Manchester University and then started the MA in Novel Writing there, with Michael Schmidt. More recently he was Professor of Creative Writing at Bath Spa University, where he is now an honorary research fellow. He has also been a research fellow at Harvard and a professor at the University of Missouri. He has published nine novels in all, and three works of non-fiction, all of which deal with important figures in American cultural and religious history.

Richard's latest book, THE OLD SPRING, was announced as The People's Literature Publishing House of Beijing best English novel.

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Latest publication:

THE OLD SPRING, Tindal Street Press, 01 July 2010
Dawn and Frank wake up one wet November morning in the flat above their pub The Old Spring.  Today, they have to meet the brewery rep, creepy Tim Green, and track down an error in their books - or face the consequences.  Dawn has something else on her mind too: the anniversary of an old tragedy for which she has always felt responsible.

Frank has his own guilt - a secret that has ended his sex life with Dawn.  Meanwhile, Darren the cleaner is haunted by the ghost of the pub's long-dead landlord.  The bar's 'chaplain', Father Thomas, tried to rediscover his faith under the skeptical scrutiny of his tormentor, Alan.  Another pub regular, Romesh, drifts towards death in the local hospital on his magic carpet, while the tattooed man in the snug faces us to a life and death crisis of his own. 

The Old Spring is full of sadness, laughter and storytelling exhuberence, with all the camraderie and community of the pub it celebrates.

Reviews:

'This is a small classic – a slim book of deep but intimate ambition, a record of the beauty and strangeness of small lives on a small island' Maggie Gee, Guardian

‘Raise a glass for Richard Francis’s excellent novel’ Tom Sutcliffe, Independent
 
‘A wonderfully boozy evocation and celebration of pub life, full of all the sorts of characters you dread meeting in a public bar, but are glad you did’ Gerard Woodward

‘A love letter to the great British boozer, a place to plot and dream as well as drink’ Financial Times

‘For those who want to escape, be stimulated and enjoy brilliant writing’ Louise Welsh, Sunday Herald

‘A comic novel[ist] with a heart and soul’ Nick Hornby

‘Wry, humane comic writing’ The Times

Fiction

Publication DetailsNotes
2004

Fourth Estate

'An extremely readable and funny book' Sean O'Brien, TLS

1999

Fourth Estate

'This beautifully paced, bitter-sweet novel' TLS

1995

Fourth Estate

'A comic novel with a heart and soul.' Nick Hornby, Observer

1990

Carcanet Press

"Impressive and moving ... all the hallmarks of a Francis novel: the logical illogicality; the wealth of startling images; and comic exuberance laced with the macabre." TLS

1986

HarperCollins

'I would like to go on and on about how brilliantly funny and inventive and intensely enjoyable and, well, just how brilliant it is.' Selina Hastings, Daily Telegraph

1984

Andre Deutsch

'Part thriller, part strip cartoon, part black pantomime, the novel leaves an agreeably bitter taste in the mouth.' TLS

1982

Granada

'Beautifully written... should not be missed.' New York Times

1980

Faber & Faber

'Original blend of the macabre and the comic.' TLS

1979

Faber & Faber

'Satire, poetry and real imagination.' Time Out

Non-Fiction

Publication DetailsNotes
2010

Yale University Press

This is the first account of Fruitlands, one of history's most unsuccessful - but most significant - utopian experiments, established in 1843 by Bronson Alcott (whose daughter Louisa May, furture author of 'Little Women', was among the members.

2005

Fourth Estate

The story of a good man and and evil event. Arts Council England Award; chosen by Margaret Drabble in the TLS as one of her three books of 2005

2000

Fourth Estate

'This splendid Biography of Ann Lee offers rational insight into the power of belief.' New Yorker